Seeker Of Truth

seeker of truth

follow no path
all paths lead where

truth is here

-E. E. Cummings

Evening

'Tis evening; the black snail has got on his track,
And gone to its nest is the wren,
And the packman snail, too, with his home on his back,
Clings to the bowed bents like a wen.

The shepherd has made a rude mark with his foot
Where his shadow reached when he first came,
And it just touched the tree where his secret love cut
Two letters that stand for love's name.

The evening comes in with the wishes of love,
And the shepherd he looks on the flowers,
And thinks who would praise the soft song of the dove,
And meet joy in these dew-falling hours.

For Nature is love, and finds haunts for true love,
Where nothing can hear or intrude;
It hides from the eagle and joins with the dove,
In beautiful green solitude.

-John Clare

The Hour-glass

That hour-glass which there you see
With water fill'd, sirs, credit me,
The humour was, as I have read,
But lovers' tears incrystalled.
Which, as they drop by drop do pass
From th' upper to the under-glass,
Do in a trickling manner tell,
By many a watery syllable,
That lovers' tears in lifetime shed
Do restless run when they are dead.

-Robert Herrick

Voices

Ideal and beloved voices
of those who are dead, or of those
who are lost to us like the dead.

Sometimes they speak to us in our dreams;
sometimes in thought the mind hears them.

And with their sound for a moment return
other sounds from the first poetry of our life --
like distant music that dies off in the night.

-Constantine P. Cavafy

The Meadows In Spring

'Tis a dull sight
To see the year dying,
When winter winds
Set the yellow wood sighing:
Sighing, oh! sighing.

When such a time cometh,
I do retire
Into and old room
Beside a bright fire:
Oh, pile a bright fire!

And there I sit
Reading old things,
Of knights and lorn damsels,
While the wind sings—
Oh, drearily sings!

I never look out
Nor attend to the blast;
For all to be seen
Is the leaves falling fast:
Falling, falling!

But close at the hearth,
Like a cricket, sit I,
Reading of summer
And chivalry—
Gallant chivalry!

Then with an old friend
I talk of our youth!
How 'twas gladsome, but often
Foolish, forsooth:
But gladsome, gladsome!

Or to get merry
We sing some old rhyme,
That made the wood ring again
In summertime—
Sweet summertime!

Then go we to smoking,
Silent and snug:
Nought passes between us,
Save a brown jug—
Sometimes!

And sometimes a tear
Will rise in each eye,
Seeing the two old friends
So merrily—
So merrily!

And ere to bed
Go we, go we,
Down on the ashes
We kneel on the knee,
Praying together!

Thus, then, live I,
Till, 'mid all the gloom,
By heaven! the bold sun
Is with me in the room
Shining, shining!

Then the clouds part,
Swallow soaring between;
The spring is alive,
And the meadows are green!

I jump up, like mad,
Break the old pipe in twain,
And away to the meadows,
The meadows again!

-Edward Fitzgerald

Morning Sea

Let me stop here. Let me, too, look at nature awhile.
The brilliant blue of the morning sea, of the cloudless sky,
the yellow shore; all lovely,
all bathed in light.

Let me stand here. And let me pretend I see all this
(I really did see it for a minute when I first stopped)
and not my usual day-dreams here too,
my memories, those images of sensual pleasure.

-Constantine P. Cavafy

trans. by Edmund Keeley and Philip Sherrard

Morning Rain

A slight rain comes, bathed in dawn light.
I hear it among treetop leaves before mist
Arrives. Soon it sprinkles the soil and,
Windblown, follows clouds away. Deepened

Colors grace thatch homes for a moment.
Flocks and herds of things wild glisten
Faintly. Then the scent of musk opens across
Half a mountain -- and lingers on past noon.

-Tu Fu

Christmas in India

Dim dawn behind the tamerisks -- the sky is saffron-yellow --
As the women in the village grind the corn,
And the parrots seek the riverside, each calling to his fellow
That the Day, the staring Easter Day is born.
Oh the white dust on the highway! Oh the stenches in the byway!
Oh the clammy fog that hovers
And at Home they're making merry 'neath the white and scarlet berry --
What part have India's exiles in their mirth?

Full day begind the tamarisks -- the sky is blue and staring --
As the cattle crawl afield beneath the yoke,
And they bear One o'er the field-path, who is past all hope or caring,
To the ghat below the curling wreaths of smoke.
Call on Rama, going slowly, as ye bear a brother lowly --
Call on Rama -- he may hear, perhaps, your voice!
With our hymn-books and our psalters we appeal to other altars,
And to-day we bid "good Christian men rejoice!"

High noon behind the tamarisks -- the sun is hot above us --
As at Home the Christmas Day is breaking wan.
They will drink our healths at dinner -- those who tell us how they love us,
And forget us till another year be gone!
Oh the toil that knows no breaking! Oh the Heimweh, ceaseless, aching!
Oh the black dividing Sea and alien Plain!
Youth was cheap -- wherefore we sold it.
Gold was good -- we hoped to hold it,
And to-day we know the fulness of our gain.

Grey dusk behind the tamarisks -- the parrots fly together --
As the sun is sinking slowly over Home;
And his last ray seems to mock us shackled in a lifelong tether.
That drags us back how'er so far we roam.
Hard her service, poor her payment -- she is ancient, tattered raiment --
India, she the grim Stepmother of our kind.
If a year of life be lent her, if her temple's shrine we enter,
The door is hut -- we may not look behind.

Black night behind the tamarisks -- the owls begin their chorus --
As the conches from the temple scream and bray.
With the fruitless years behind us, and the hopeless years before us,
Let us honor, O my brother, Christmas Day!
Call a truce, then, to our labors -- let us feast with friends and neighbors,
And be merry as the custom of our caste;
For if "faint and forced the laughter," and if sadness follow after,
We are richer by one mocking Christmas past.

-Rudyard Kipling

The Philosopher, the Young Man, and his Statue

A Fond Athenian Mother brought
A Sculptor to indulge her Thought,
And carve her Only Son;
Who to such strange perfection wrought,
That every Eye the Statue caught
Nor ought was left undone.

A youthful Smile adorn'd the Face,
The polish gave that Smile a Grace;
And through the Marble reigns
(Which well the Artist's Skill cou'd trace,
And in their due Positions place)
A Thread of purple Veins.

The Parasites about it came,
(Whose Praises were too large to name)
And to each other said;
The Man so well had reach'd his Aim,
Th' Original cou'd o'er it claim
Only a native Red.

Mean while a Sage, amidst the Croud,
Thus, with a Precept wise and loud,
Check'd the Vain-glorious Boy;
By telling him, who now grew proud,
That tho' with Beauty 'twas endow'd,
The Figure was a Toy:

Of no Advantage to the State,
'Twou'd neither combate, nor debate,
But idly stand alone;
Bids him beware, whilst Men create
In Stone thus his Resemblance great,
He proves not like the Stone.

-Anne Kingsmill Finch

As the time draws nigh

AS the time draws nigh, glooming, a cloud,
A dread beyond, of I know not what, darkens me.

I shall go forth,
I shall traverse The States awhile--but I cannot tell whither or how
long;
Perhaps soon, some day or night while I am singing, my voice will
suddenly cease.


O book, O chants! must all then amount to but this?
Must we barely arrive at this beginning of us?... And yet it is
enough, O soul!
O soul! we have positively appear'd--that is enough.

-Walt Whitman

Journey

Ah, could I lay me down in this long grass
And close my eyes, and let the quiet wind
Blow over me—I am so tired, so tired
Of passing pleasant places! All my life,
Following Care along the dusty road,
Have I looked back at loveliness and sighed;
Yet at my hand an unrelenting hand
Tugged ever, and I passed. All my life long
Over my shoulder have I looked at peace;
And now I fain would lie in this long grass
And close my eyes.
Yet onward!
Cat birds call
Through the long afternoon, and creeks at dusk
Are guttural. Whip-poor-wills wake and cry,
Drawing the twilight close about their throats.
Only my heart makes answer. Eager vines
Go up the rocks and wait; flushed apple-trees
Pause in their dance and break the ring for me;
And bayberry, that through sweet bevies thread
Of round-faced roses, pink and petulant,
Look back and beckon ere they disappear.
Only my heart, only my heart responds.
Yet, ah, my path is sweet on either side
All through the dragging day,—sharp underfoot
And hot, and like dead mist the dry dust hangs—
But far, oh, far as passionate eye can reach,
And long, ah, long as rapturous eye can cling,
The world is mine: blue hill, still silver lake,
Broad field, bright flower, and the long white road
A gateless garden, and an open path:
My feet to follow, and my heart to hold.

-Edna St. Vincent Millay

Lepanto

White founts falling in the Courts of the sun,
And the Soldan of Byzantium is smiling as they run;
There is laughter like the fountains in that face of all men feared,
It stirs the forest darkness, the darkness of his beard;
It curls the blood-red crescent, the crescent of his lips;
For the inmost sea of all the earth is shaken with his ships.
They have dared the white republics up the capes of Italy,
They have dashed the Adriatic round the Lion of the Sea,
And the Pope has cast his arms abroad for agony and loss,
And called the kings of Christendom for swords about the Cross.
The cold queen of England is looking in the glass;
The shadow of the Valois is yawning at the Mass;
From evening isles fantastical rings faint the Spanish gun,
And the Lord upon the Golden Horn is laughing in the sun.

Dim drums throbbing, in the hills half heard,
Where only on a nameless throne a crownless prince has stirred,
Where, risen from a doubtful seat and half attainted stall,
The last knight of Europe takes weapons from the wall,
The last and lingering troubadour to whom the bird has sung,
That once went singing southward when all the world was young.
In that enormous silence, tiny and unafraid,
Comes up along a winding road the noise of the Crusade.
Strong gongs groaning as the guns boom far,
Don John of Austria is going to the war,
Stiff flags straining in the night-blasts cold
In the gloom black-purple, in the glint old-gold,
Torchlight crimson on the copper kettle-drums,
Then the tuckets, then the trumpets, then the cannon, and he comes.
Don John laughing in the brave beard curled,
Spurning of his stirrups like the thrones of all the world,
Holding his head up for a flag of all the free.
Love-light of Spain--hurrah!
Death-light of Africa!
Don John of Austria
Is riding to the sea.

Mahound is in his paradise above the evening star,
(Don John of Austria is going to the war.)
He moves a mighty turban on the timeless houri's knees,
His turban that is woven of the sunsets and the seas.
He shakes the peacock gardens as he rises from his ease,
And he strides among the tree-tops and is taller than the trees;
And his voice through all the garden is a thunder sent to bring
Black Azrael and Ariel and Ammon on the wing.
Giants and the Genii,
Multiplex of wing and eye,
Whose strong obedience broke the sky
When Solomon was king.

They rush in red and purple from the red clouds of the morn,
From the temples where the yellow gods shut up their eyes in scorn;
They rise in green robes roaring from the green hells of the sea
Where fallen skies and evil hues and eyeless creatures be,
On them the sea-valves cluster and the grey sea-forests curl,
Splashed with a splendid sickness, the sickness of the pearl;
They swell in sapphire smoke out of the blue cracks of the ground,--
They gather and they wonder and give worship to Mahound.
And he saith, "Break up the mountains where the hermit-folk can hide,
And sift the red and silver sands lest bone of saint abide,
And chase the Giaours flying night and day, not giving rest,
For that which was our trouble comes again out of the west.
We have set the seal of Solomon on all things under sun,
Of knowledge and of sorrow and endurance of things done.
But a noise is in the mountains, in the mountains, and I know
The voice that shook our palaces--four hundred years ago:
It is he that saith not 'Kismet'; it is he that knows not Fate;
It is Richard, it is Raymond, it is Godfrey at the gate!
It is he whose loss is laughter when he counts the wager worth,
Put down your feet upon him, that our peace be on the earth."
For he heard drums groaning and he heard guns jar,
(Don John of Austria is going to the war.)
Sudden and still--hurrah!
Bolt from Iberia!
Don John of Austria
Is gone by Alcalar.

St. Michaels on his Mountain in the sea-roads of the north
(Don John of Austria is girt and going forth.)
Where the grey seas glitter and the sharp tides shift
And the sea-folk labour and the red sails lift.
He shakes his lance of iron and he claps his wings of stone;
The noise is gone through Normandy; the noise is gone alone;
The North is full of tangled things and texts and aching eyes,
And dead is all the innocence of anger and surprise,
And Christian killeth Christian in a narrow dusty room,
And Christian dreadeth Christ that hath a newer face of doom,
And Christian hateth Mary that God kissed in Galilee,--
But Don John of Austria is riding to the sea.
Don John calling through the blast and the eclipse
Crying with the trumpet, with the trumpet of his lips,
Trumpet that sayeth ha!
Domino gloria!
Don John of Austria
Is shouting to the ships.

King Philip's in his closet with the Fleece about his neck
(Don John of Austria is armed upon the deck.)
The walls are hung with velvet that is black and soft as sin,
And little dwarfs creep out of it and little dwarfs creep in.
He holds a crystal phial that has colours like the moon,
He touches, and it tingles, and he trembles very soon,
And his face is as a fungus of a leprous white and grey
Like plants in the high houses that are shuttered from the day,
And death is in the phial and the end of noble work,
But Don John of Austria has fired upon the Turk.
Don John's hunting, and his hounds have bayed--
Booms away past Italy the rumour of his raid.
Gun upon gun, ha! ha!
Gun upon gun, hurrah!
Don John of Austria
Has loosed the cannonade.

The Pope was in his chapel before day or battle broke,
(Don John of Austria is hidden in the smoke.)
The hidden room in man's house where God sits all the year,
The secret window whence the world looks small and very dear.
He sees as in a mirror on the monstrous twilight sea
The crescent of his cruel ships whose name is mystery;
They fling great shadows foe-wards, making Cross and Castle dark,
They veil the plumиd lions on the galleys of St. Mark;
And above the ships are palaces of brown, black-bearded chiefs,
And below the ships are prisons, where with multitudinous griefs,
Christian captives sick and sunless, all a labouring race repines
Like a race in sunken cities, like a nation in the mines.
They are lost like slaves that sweat, and in the skies of morning hung
The stair-ways of the tallest gods when tyranny was young.
They are countless, voiceless, hopeless as those fallen or fleeing on
Before the high Kings' horses in the granite of Babylon.
And many a one grows witless in his quiet room in hell
Where a yellow face looks inward through the lattice of his cell,
And he finds his God forgotten, and he seeks no more a sign--
(But Don John of Austria has burst the battle-line!)
Don John pounding from the slaughter-painted poop,
Purpling all the ocean like a bloody pirate's sloop,
Scarlet running over on the silvers and the golds,
Breaking of the hatches up and bursting of the holds,
Thronging of the thousands up that labour under sea
White for bliss and blind for sun and stunned for liberty.

Vivat Hispania!
Domino Gloria!
Don John of Austria
Has set his people free!

Cervantes on his galley sets the sword back in the sheath
(Don John of Austria rides homeward with a wreath.)
And he sees across a weary land a straggling road in Spain,
Up which a lean and foolish knight for ever rides in vain,
And he smiles, but not as Sultans smile, and settles back the blade....
(But Don John of Austria rides home from the Crusade.)

-G. K. Chesterton

Loneliness

The last year's leaves are on the beech:
The twigs are black; the cold is dry;
To deeps byond the deepest reach
The Easter bells enlarge the sky.
O ordered metal clatter-clang!
Is yours the song the angels sang?
You fill my heart with joy and grief -
Belief! Belief! And unbelief...
And, though you tell me I shall die,
You say not how or when or why.

Indifferent the finches sing,
Unheeding roll the lorries past:
What misery will this year bring
Now spring is in the air at last?
For, sure as blackthorn bursts to snow,
Cancer in some of us will grow,
The tasteful crematorium door
Shuts out for some the furnace roar;
But church-bells open on the blast
Our loneliness, so long and vast.

-John Betjeman

Memory

Brightly the sun of summer shone,
Green fields and waving woods upon,
And soft winds wandered by;
Above, a sky of purest blue,
Around, bright flowers of loveliest hue,
Allured the gazer's eye.
But what were all these charms to me,
When one sweet breath of memory
Came gently wafting by?
I closed my eyes against the day,
And called my willing soul away,
From earth, and air, and sky;

That I might simply fancy there
One little flower -- a primrose fair,
Just opening into sight;
As in the days of infancy,
An opening primrose seemed to me
A source of strange delight.

Sweet Memory! ever smile on me;
Nature's chief beauties spring from thee,
Oh, still thy tribute bring!
Still make the golden crocus shine
Among the flowers the most divine,
The glory of the spring.

Still in the wall-flower's fragrance dwell;
And hover round the slight blue bell,
My childhood's darling flower.
Smile on the little daisy still,
The buttercup's bright goblet fill
With all thy former power.

For ever hang thy dreamy spell
Round mountain star and heather bell,
And do not pass away
From sparkling frost, or wreathed snow,
And whisper when the wild winds blow,
Or rippling waters play.

Is childhood, then, so all divine?
Or Memory, is the glory thine,
That haloes thus the past?
Not all divine; its pangs of grief,
(Although, perchance, their stay be brief,)
Are bitter while they last.

Nor is the glory all thine own,
For on our earliest joys alone
That holy light is cast.
With such a ray, no spell of thine
Can make our later pleasures shine,
Though long ago they passed.

-Anne Bronte

The Voice

Safe in the magic of my woods
I lay, and watched the dying light.
Faint in the pale high solitudes,
And washed with rain and veiled by night,

Silver and blue and green were showing.
And the dark woods grew darker still;
And birds were hushed; and peace was growing;
And quietness crept up the hill;

And no wind was blowing

And I knew
That this was the hour of knowing,
And the night and the woods and you
Were one together, and I should find
Soon in the silence the hidden key
Of all that had hurt and puzzled me --
Why you were you, and the night was kind,
And the woods were part of the heart of me.

And there I waited breathlessly,
Alone; and slowly the holy three,
The three that I loved, together grew
One, in the hour of knowing,
Night, and the woods, and you ----

And suddenly
There was an uproar in my woods,

The noise of a fool in mock distress,
Crashing and laughing and blindly going,
Of ignorant feet and a swishing dress,
And a Voice profaning the solitudes.

The spell was broken, the key denied me
And at length your flat clear voice beside me
Mouthed cheerful clear flat platitudes.

You came and quacked beside me in the wood.
You said, "The view from here is very good!"
You said, "It's nice to be alone a bit!"
And, "How the days are drawing out!" you said.
You said, "The sunset's pretty, isn't it?"

By God! I wish -- I wish that you were dead!

-Rupert Brooke

Mind

The slow overture of rain,
each drop breaking
without breaking into
the next, describes
the unrelenting, syncopated
mind. Not unlike
the hummingbirds
imagining their wings
to be their heart, and swallows
believing the horizon
to be a line they lift
and drop. What is it
they cast for? The poplars,
advancing or retreating,
lose their stature
equally, and yet stand firm,
making arrangements
in order to become
imaginary. The city
draws the mind in streets,
and streets compel it
from their intersections
where a little
belongs to no one. It is
what is driven through
all stationary portions
of the world, gravity's
stake in things, the leaves,
pressed against the dank
window of November
soil, remain unwelcome
till transformed, parts
of a puzzle unsolvable
till the edges give a bit
and soften. See how
then the picture becomes clear,
the mind entering the ground
more easily in pieces,
and all the richer for it.

-Jorie Graham

Mesopotamia

1917

They shall not return to us, the resolute, the young,
The eager and whole-hearted whom we gave:
But the men who left them thriftily to die in their own dung,
Shall they come with years and honour to the grave?

They shall not return to us; the strong men coldly slain
In sight of help denied from day to day:
But the men who edged their agonies and chid them in their pain,
Are they too strong and wise to put away?

Our dead shall not return to us while Day and Night divide--
Never while the bars of sunset hold.
But the idle-minded overlings who quibbled while they died,
Shall they thrust for high employments as of old?

Shall we only threaten and be angry for an hour:
When the storm is ended shall we find
How softly but how swiftly they have sidled back to power
By the favour and contrivance of their kind?

Even while they soothe us, while they promise large amends,
Even while they make a show of fear,
Do they call upon their debtors, and take counsel with their
friends,
To conform and re-establish each career?

Their lives cannot repay us--their death could not undo--
The shame that they have laid upon our race.
But the slothfulness that wasted and the arrogance that slew,
Shell we leave it unabated in its place?

-Rudyard Kipling

The Sick Muse

My impoverished muse, alas! What have you for me this morning?
Your empty eyes are stocked with nocturnal visions,
In your cheek's cold and taciturn reflection,
I see insanity and horror forming.
The green succubus and the red urchin,
Have they poured you fear and love from their urns?
The nightmare of a mutinous fist that despotically turns,
Does it drown you at the bottom of a loch beyond searching?

I wish that your breast exhaled the scent of sanity,
That your womb of thought was not a tomb more frequently
And that your Christian blood flowed around a buoy that was rhythmical,

Like the numberless sounds of antique syllables,
Where reigns in turn the father of songs,
Phoebus, and the great Pan, the harvest sovereign.

-Charles Baudelaire

The Door in the Dark

In going from room to room in the dark,
I reached out blindly to save my face,
But neglected, however lightly, to lace
My fingers and close my arms in an arc.
A slim door got in past my guard,
And hit me a blow in the head so hard
I had my native simile jarred.
So people and things don't pair any more
With what they used to pair with before.

-Robert Frost

Journey Into The Interior

In the long journey out of the self,
There are many detours, washed-out interrupted raw places
Where the shale slides dangerously
And the back wheels hang almost over the edge
At the sudden veering, the moment of turning.
Better to hug close, wary of rubble and falling stones.
The arroyo cracking the road, the wind-bitten buttes, the canyons,
Creeks swollen in midsummer from the flash-flood roaring into the narrow valley.
Reeds beaten flat by wind and rain,
Grey from the long winter, burnt at the base in late summer.
-- Or the path narrowing,
Winding upward toward the stream with its sharp stones,
The upland of alder and birchtrees,
Through the swamp alive with quicksand,
The way blocked at last by a fallen fir-tree,
The thickets darkening,
The ravines ugly.

-Theodore Roethke

The Artist

The Artist and his Luckless Wife
They lead a horrid haunted life,
Surrounded by the things he's made
That are not wanted by the trade.

The world is very fair to see;
The Artist will not let it be;
He fiddles with the works of God,
And makes them look uncommon odd.

The Artist is an awful man,
He does not do the things he can;
He does the things he cannot do,
And we attend the private view.

The Artist uses honest paint
To represent things as they ain't,
He then asks money for the time
It took to perpetrate the crime.

-Sir Walter Raleigh

Like The Water

Like the water
of a deep stream,
love is always too much.
We did not make it.
Though we drink till we burst,
we cannot have it all,
or want it all.
In its abundance
it survives our thirst.

In the evening we come down to the shore
to drink our fill,
and sleep,
while it flows
through the regions of the dark.
It does not hold us,
except we keep returning to its rich waters
thirsty.

We enter,
willing to die,
into the commonwealth of its joy.

-Wendell Berry

First snow

First snow
falling
on the half-finished bridge.

-Matsuo Basho

BY THE RIVER

FLOW on, ye lays so loved, so fair,

On to Oblivion's ocean flow!
May no rapt boy recall you e'er,

No maiden in her beauty's glow!

My love alone was then your theme,

But now she scorns my passion true.
Ye were but written in the stream;

As it flows on, then, flow ye too!

1798.*

-Johann Wolfgang von Goethe

Colors Passing Through Us

Purple as tulips in May, mauve
into lush velvet, purple
as the stain blackberries leave
on the lips, on the hands,
the purple of ripe grapes
sunlit and warm as flesh.
Every day I will give you a color,
like a new flower in a bud vase
on your desk. Every day
I will paint you, as women
color each other with henna
on hands and on feet.

Red as henna, as cinnamon,
as coals after the fire is banked,
the cardinal in the feeder,
the roses tumbling on the arbor
their weight bending the wood
the red of the syrup I make from petals.

Orange as the perfumed fruit
hanging their globes on the glossy tree,
orange as pumpkins in the field,
orange as butterflyweed and the monarchs
who come to eat it, orange as my
cat running lithe through the high grass.

Yellow as a goat's wise and wicked eyes,
yellow as a hill of daffodils,
yellow as dandelions by the highway,
yellow as butter and egg yolks,
yellow as a school bus stopping you,
yellow as a slicker in a downpour.

Here is my bouquet, here is a sing
song of all the things you make
me think of, here is oblique
praise for the height and depth
of you and the width too.
Here is my box of new crayons at your feet.

Green as mint jelly, green
as a frog on a lily pad twanging,
the green of cos lettuce upright
about to bolt into opulent towers,
green as Grand Chartreuse in a clear
glass, green as wine bottles.

Blue as cornflowers, delphiniums,
bachelors' buttons. Blue as Roquefort,
blue as Saga. Blue as still water.
Blue as the eyes of a Siamese cat.
Blue as shadows on new snow, as a spring
azure sipping from a puddle on the blacktop.

Cobalt as the midnight sky
when day has gone without a trace
and we lie in each other's arms
eyes shut and fingers open
and all the colors of the world
pass through our bodies like strings of fire.

-Marge Piercy

Now

I sit here on the 2nd floor
hunched over in yellow
pajamas
still pretending to be
a writer.
some damned gall,
at 71,
my brain cells eaten
away by
life.
rows of books
behind me,
I scratch my thinning
hair
and search for the
word.

-Charles Bukowski

Symbols

A storm-beaten old watch-tower,
A blind hermit rings the hour.

All-destroying sword-blade still
Carried by the wandering fool.

Gold-sewn silk on the sword-blade,
Beauty and fool together laid.

-William Butler Yeats

A Book

There is no frigate like a book
To take us lands away,
Nor any coursers like a page
Of prancing poetry.
This traverse may the poorest take
Without oppress of toll;
How frugal is the chariot
That bears a human soul!

-Emily Dickinson

When You Come

When you come to me, unbidden,
Beckoning me
To long-ago rooms,
Where memories lie.

Offering me, as to a child, an attic,
Gatherings of days too few.
Baubles of stolen kisses.
Trinkets of borrowed loves.
Trunks of secret words,

I CRY.

-Maya Angelou

Alone With Everybody

the flesh covers the bone
and they put a mind
in there and
sometimes a soul,
and the women break
vases against the walls
and the men drink too
much
and nobody finds the
one
but keep
looking
crawling in and out
of beds.
flesh covers
the bone and the
flesh searches
for more than
flesh.

there's no chance
at all:
we are all trapped
by a singular
fate.
http://www.blogger.com/post-create.g?blogID=1650067652166955013
nobody ever finds
the one.

the city dumps fill
the junkyards fill
the madhouses fill
the hospitals fill
the graveyards fill

nothing else
fills.


Anonymous submission.

-Charles Bukowski

Winter solitude

Winter solitude--
in a world of one color
the sound of wind.

-Matsuo Basho

Under The Balcony

O beautiful star with the crimson mouth!
O moon with the brows of gold!
Rise up, rise up, from the odorous south!
And light for my love her way,
Lest her little feet should stray
On the windy hill and the wold!
O beautiful star with the crimson mouth!
O moon with the brows of gold!

O ship that shakes on the desolate sea!
O ship with the wet, white sail!
Put in, put in, to the port to me!
For my love and I would go
To the land where the daffodils blow
In the heart of a violet dale!
O ship that shakes on the desolate sea!
O ship with the wet, white sail!

O rapturous bird with the low, sweet note!
O bird that sits on the spray!
Sing on, sing on, from your soft brown throat!
And my love in her little bed
Will listen, and lift her head
From the pillow, and come my way!
O rapturous bird with the low, sweet note!
O bird that sits on the spray!

O blossom that hangs in the tremulous air!
O blossom with lips of snow!
Come down, come down, for my love to wear!
You will die on her head in a crown,
You will die in a fold of her gown,
To her little light heart you will go!
O blossom that hangs in the tremulous air!
O blossom with lips of snow!

-Oscar Wilde

After us

I don't know if we're in the beginning
or in the final stage.
-- Tomas Tranströmer

Rain is falling through the roof.
And all that prospered under the sun,
the books that opened in the morning
and closed at night, and all day
turned their pages to the light;

the sketches of boats and strong forearms
and clever faces, and of fields
and barns, and of a bowl of eggs,
and lying across the piano
the silver stick of a flute; everything

invented and imagined,
everything whispered and sung,
all silenced by cold rain.

The sky is the color of gravestones.
The rain tastes like salt, and rises
in the streets like a ruinous tide.
We spoke of millions, of billions of years.
We talked and talked.

Then a drop of rain fell
into the sound hole of the guitar, another
onto the unmade bed. And after us,
the rain will cease or it will go on falling,
even upon itself.

-Connie Wanek

A Blackbird Singing

It seems wrong that out of this bird,
Black, bold, a suggestion of dark
Places about it, there yet should come
Such rich music, as though the notes'
Ore were changed to a rare metal
At one touch of that bright bill.

You have heard it often, alone at your desk
In a green April, your mind drawn
Away from its work by sweet disturbance
Of the mild evening outside your room.

A slow singer, but loading each phrase
With history's overtones, love, joy
And grief learned by his dark tribe
In other orchards and passed on
Instinctively as they are now,
But fresh always with new tears.

-R. S. Thomas

Notes on the art of poetry

I could never have dreamt that there were such goings-on
in the world between the covers of books,
such sandstorms and ice blasts of words,,,
such staggering peace, such enormous laughter,
such and so many blinding bright lights,, ,
splashing all over the pages
in a million bits and pieces
all of which were words, words, words,
and each of which were alive forever
in its own delight and glory and oddity and light.

-Dylan Thomas

Spring Thunder

Listen, The wind is still,
And far away in the night --
See! The uplands fill
With a running light.

Open the doors. It is warm;
And where the sky was clear--
Look! The head of a storm
That marches here!

Come under the trembling hedge--
Fast, although you fumble...
There! Did you hear the edge
of winter crumble

-Mark van Doren

Another

THIS little vault, this narrow room,
Of Love and Beauty is the tomb;
The dawning beam, that 'gan to clear
Our clouded sky, lies darken'd here,
For ever set to us: by Death
Sent to enflame the World Beneath.
'Twas but a bud, yet did contain
More sweetness than shall spring again;
A budding Star, that might have grown
Into a Sun when it had blown.
This hopeful Beauty did create
New life in Love's declining state;
But now his empire ends, and we
From fire and wounding darts are free;
His brand, his bow, let no man fear:
The flames, the arrows, all lie here.

-Thomas Carew

Landscape

tall poplars -- human beings of this earth!
black pounds of happiness -- you mirror them to death!

I saw you, sister, stand in that effulgence.

-Paul Celan

Madness

(For Sara Teasdale)

The lonely farm, the crowded street,
The palace and the slum,
Give welcome to my silent feet
As, bearing gifts, I come.
Last night a beggar crouched alone,
A ragged helpless thing;
I set him on a moonbeam throne --
Today he is a king.
Last night a king in orb and crown
Held court with splendid cheer;
Today he tears his purple gown
And moans and shrieks in fear.
Not iron bars, nor flashing spears,
Not land, nor sky, nor sea,
Nor love's artillery of tears
Can keep mine own from me.
Serene, unchanging, ever fair,
I smile with secret mirth
And in a net of mine own hair
I swing the captive earth.

-Joyce Kilmer

So sweet love seemed that April morn

So sweet love seemed that April morn,
When first we kissed beside the thorn,
So strangely sweet, it was not strange
We thought that love could never change.

But I can tell--let truth be told--
That love will change in growing old;
Though day by day is naught to see,
So delicate his motions be.

And in the end 'twill come to pass
Quite to forget what once he was,
Nor even in fancy to recall
The pleasure that was all in all.

His little spring, that sweet we found,
So deep in summer floods is drowned,
I wonder, bathed in joy complete,
How love so young could be so sweet.

-Robert Seymour Bridges

Ro

Den svåra dagen redan
nu lutar mot sitt fall;
en dunkel sky - där nedan
är himlen klar och kall.

Min själ, var tröst, var stilla,
mitt hjärta, kväv ditt skri!
Hur snart blir allting stilla,
hur snart är allt förbi.

-Vilhelm Ekelund

i shall imagine life

i shall imagine life
is not worth dying,if
(and when)roses complain
their beauties are in vain

but though mankind persuades
itself that every weed's
a rose,roses(you feel
certain)will only smile

-E. E. Cummings

Her voice

The wild bee reels from bough to bough
With his furry coat and his gauzy wing,
Now in a lily-cup, and now
Setting a jacinth bell a-swing,
In his wandering;
Sit closer love: it was here I trow
I made that vow,

Swore that two lives should be like one
As long as the sea-gull loved the sea,
As long as the sunflower sought the sun, -
It shall be, I said, for eternity
'Twixt you and me!
Dear friend, those times are over and done;
Love's web is spun.

Look upward where the poplar trees
Sway and sway in the summer air,
Here in the valley never a breeze
Scatters the thistledown, but there
Great winds blow fair
From the mighty murmuring mystical seas,
And the wave-lashed leas.

Look upward where the white gull screams,
What does it see that we do not see?
Is that a star? or the lamp that gleams
On some outward voyaging argosy, -
Ah! can it be
We have lived our lives in a land of dreams!
How sad it seems.

Sweet, there is nothing left to say
But this, that love is never lost,
Keen winter stabs the breasts of May
Whose crimson roses burst his frost,
Ships tempest-tossed
Will find a harbour in some bay,
And so we may.

And there is nothing left to do
But to kiss once again, and part,
Nay, there is nothing we should rue,
I have my beauty, - you your Art,
Nay, do not start,
One world was not enough for two
Like me and you

-Oscar Wilde

Retrospect

In your arms was still delight,
Quiet as a street at night;
And thoughts of you, I do remember,
Were green leaves in a darkened chamber,
Were dark clouds in a moonless sky.
Love, in you, went passing by,
Penetrative, remote, and rare,
Like a bird in the wide air,
And, as the bird, it left no trace
In the heaven of your face.
In your stupidity I found
The sweet hush after a sweet sound.
All about you was the light
That dims the greying end of night;
Desire was the unrisen sun,
Joy the day not yet begun,
With tree whispering to tree,
Without wind, quietly.
Wisdom slept within your hair,
And Long-Suffering was there,
And, in the flowing of your dress,
Undiscerning Tenderness.
And when you thought, it seemed to me,
Infinitely, and like a sea,
About the slight world you had known
Your vast unconsciousness was thrown. . . .

O haven without wave or tide!
Silence, in which all songs have died!
Holy book, where hearts are still!
And home at length under the hill!
O mother quiet, breasts of peace,
Where love itself would faint and cease!
O infinite deep I never knew,
I would come back, come back to you,
Find you, as a pool unstirred,
Kneel down by you, and never a word,
Lay my head, and nothing said,
In your hands, ungarlanded;
And a long watch you would keep;
And I should sleep, and I should sleep!

-Rupert Brooke

Pull A String, A Puppet Moves

each man must realize
that it can all disappear very
quickly:
the cat, the woman, the job,
the front tire,
the bed, the walls, the
room; all our necessities
including love,
rest on foundations of sand -
and any given cause,
no matter how unrelated:
the death of a boy in Hong Kong
or a blizzard in Omaha ...
can serve as your undoing.
all your chinaware crashing to the
kitchen floor, your girl will enter
and you'll be standing, drunk,
in the center of it and she'll ask:
my god, what's the matter?
and you'll answer: I don't know,
I don't know ...

-Charles Bukowski

The Panther

His vision, from the constantly passing bars,
has grown so weary that it cannot hold
anything else. It seems to him there are
a thousand bars; and behind the bars, no world.

As he paces in cramped circles, over and over,
the movement of his powerful soft strides
is like a ritual dance around a center
in which a mighty will stands paralyzed.

Only at times, the curtain of the pupils
lifts, quietly--. An image enters in,
rushes down through the tensed, arrested muscles,
plunges into the heart and is gone.

-Rainer Maria Rilke

The Country of the Blind

Hard light bathed them-a whole nation of eyeless men,
Dark bipeds not aware how they were maimed. A long
Process, clearly, a slow curse,
Drained through centuries, left them thus.

At some transitional stage, then, a luckless few,
No doubt, must have had eyes after the up-to-date,
Normal type had achieved snug
Darkness, safe from the guns of heavn;

Whose blind mouths would abuse words that belonged to their
Great-grandsires, unabashed, talking of light in some
Eunuch'd, etiolated,
Fungoid sense, as a symbol of

Abstract thoughts. If a man, one that had eyes, a poor
Misfit, spoke of the grey dawn or the stars or green-
Sloped sea waves, or admired how
Warm tints change in a lady's cheek,

None complained he had used words from an alien tongue,
None question'd. It was worse. All would agree 'Of course,'
Came their answer. "We've all felt
Just like that." They were wrong. And he


Knew too much to be clear, could not explain. The words --
Sold, raped flung to the dogs -- now could avail no more;
Hence silence. But the mouldwarps,
With glib confidence, easily

Showed how tricks of the phrase, sheer metaphors could set
Fools concocting a myth, taking the worlds for things.
Do you think this a far-fetched
Picture? Go then about among

Men now famous; attempt speech on the truths that once,
Opaque, carved in divine forms, irremovable,
Dear but dear as a mountain-
Mass, stood plain to the inward eye.

-C. S. Lewis

Still I Rise

You may write me down in history
With your bitter, twisted lies,
You may trod me in the very dirt
But still, like dust, I'll rise.

Does my sassiness upset you?
Why are you beset with gloom?
'Cause I walk like I've got oil wells
Pumping in my living room.

Just like moons and like suns,
With the certainty of tides,
Just like hopes springing high,
Still I'll rise.

Did you want to see me broken?
Bowed head and lowered eyes?
Shoulders falling down like teardrops.
Weakened by my soulful cries.

Does my haughtiness offend you?
Don't you take it awful hard
'Cause I laugh like I've got gold mines
Diggin' in my own back yard.

You may shoot me with your words,
You may cut me with your eyes,
You may kill me with your hatefulness,
But still, like air, I'll rise.

Does my sexiness upset you?
Does it come as a surprise
That I dance like I've got diamonds
At the meeting of my thighs?

Out of the huts of history's shame
I rise
Up from a past that's rooted in pain
I rise
I'm a black ocean, leaping and wide,
Welling and swelling I bear in the tide.
Leaving behind nights of terror and fear
I rise
Into a daybreak that's wondrously clear
I rise
Bringing the gifts that my ancestors gave,
I am the dream and the hope of the slave.
I rise
I rise
I rise.

-Maya Angelou

now is a ship... (9)

now is a ship

which captain am
sails out of sleep

steering for dream

-E. E. Cummings

Det snöar över slätten

Det snöar över slätten
i tyst decembernatt,
i vita vidder skönjer
jag bygd och gårdar matt.

Du sorgsna väg där ute
i mörker, ruvande tätt,
med svängande gråa vindlar
kring vinterödslig slätt,

du är som min trötta tanke
i fjättrande mörker frätt,
du vita väg, du frusna
i vinterödslig slätt. --

Det snöar över slätten
i tyst decembernatt,
ur viddens fjärran skiner
en ensam ruta matt.

-Vilhelm Ekelund

Panthea

Nay, let us walk from fire unto fire,
From passionate pain to deadlier delight, -
I am too young to live without desire,
Too young art thou to waste this summer night
Asking those idle questions which of old
Man sought of seer and oracle, and no reply was told.

For, sweet, to feel is better than to know,
And wisdom is a childless heritage,
One pulse of passion - youth's first fiery glow, -
Are worth the hoarded proverbs of the sage:
Vex not thy soul with dead philosophy,
Have we not lips to kiss with, hearts to love and eyes to see!

Dost thou not hear the murmuring nightingale,
Like water bubbling from a silver jar,
So soft she sings the envious moon is pale,
That high in heaven she is hung so far
She cannot hear that love-enraptured tune, -
Mark how she wreathes each horn with mist, yon late and labouring
moon.

White lilies, in whose cups the gold bees dream,
The fallen snow of petals where the breeze
Scatters the chestnut blossom, or the gleam
Of boyish limbs in water, - are not these
Enough for thee, dost thou desire more?
Alas! the Gods will give nought else from their eternal store.

For our high Gods have sick and wearied grown
Of all our endless sins, our vain endeavour
For wasted days of youth to make atone
By pain or prayer or priest, and never, never,
Hearken they now to either good or ill,
But send their rain upon the just and the unjust at will.

They sit at ease, our Gods they sit at ease,
Strewing with leaves of rose their scented wine,
They sleep, they sleep, beneath the rocking trees
Where asphodel and yellow lotus twine,
Mourning the old glad days before they knew
What evil things the heart of man could dream, and dreaming do.

And far beneath the brazen floor they see
Like swarming flies the crowd of little men,
The bustle of small lives, then wearily
Back to their lotus-haunts they turn again
Kissing each others' mouths, and mix more deep
The poppy-seeded draught which brings soft purple-lidded sleep.

There all day long the golden-vestured sun,
Their torch-bearer, stands with his torch ablaze,
And, when the gaudy web of noon is spun
By its twelve maidens, through the crimson haze
Fresh from Endymion's arms comes forth the moon,
And the immortal Gods in toils of mortal passions swoon.

There walks Queen Juno through some dewy mead,
Her grand white feet flecked with the saffron dust
Of wind-stirred lilies, while young Ganymede
Leaps in the hot and amber-foaming must,
His curls all tossed, as when the eagle bare
The frightened boy from Ida through the blue Ionian air.

There in the green heart of some garden close
Queen Venus with the shepherd at her side,
Her warm soft body like the briar rose
Which would be white yet blushes at its pride,
Laughs low for love, till jealous Salmacis
Peers through the myrtle-leaves and sighs for pain of lonely bliss.

There never does that dreary north-wind blow
Which leaves our English forests bleak and bare,
Nor ever falls the swift white-feathered snow,
Nor ever doth the red-toothed lightning dare
To wake them in the silver-fretted night
When we lie weeping for some sweet sad sin, some dead delight.

Alas! they know the far Lethaean spring,
The violet-hidden waters well they know,
Where one whose feet with tired wandering
Are faint and broken may take heart and go,
And from those dark depths cool and crystalline
Drink, and draw balm, and sleep for sleepless souls, and anodyne.

But we oppress our natures, God or Fate
Is our enemy, we starve and feed
On vain repentance - O we are born too late!
What balm for us in bruised poppy seed
Who crowd into one finite pulse of time
The joy of infinite love and the fierce pain of infinite crime.

O we are wearied of this sense of guilt,
Wearied of pleasure's paramour despair,
Wearied of every temple we have built,
Wearied of every right, unanswered prayer,
For man is weak; God sleeps: and heaven is high:
One fiery-coloured moment: one great love; and lo! we die.

Ah! but no ferry-man with labouring pole
Nears his black shallop to the flowerless strand,
No little coin of bronze can bring the soul
Over Death's river to the sunless land,
Victim and wine and vow are all in vain,
The tomb is sealed; the soldiers watch; the dead rise not again.

We are resolved into the supreme air,
We are made one with what we touch and see,
With our heart's blood each crimson sun is fair,
With our young lives each spring-impassioned tree
Flames into green, the wildest beasts that range
The moor our kinsmen are, all life is one, and all is change.

With beat of systole and of diastole
One grand great life throbs through earth's giant heart,
And mighty waves of single Being roll
From nerveless germ to man, for we are part
Of every rock and bird and beast and hill,
One with the things that prey on us, and one with what we kill.

From lower cells of waking life we pass
To full perfection; thus the world grows old:
We who are godlike now were once a mass
Of quivering purple flecked with bars of gold,
Unsentient or of joy or misery,
And tossed in terrible tangles of some wild and wind-swept sea.

This hot hard flame with which our bodies burn
Will make some meadow blaze with daffodil,
Ay! and those argent breasts of thine will turn
To water-lilies; the brown fields men till
Will be more fruitful for our love to-night,
Nothing is lost in nature, all things live in Death's despite.

The boy's first kiss, the hyacinth's first bell,
The man's last passion, and the last red spear
That from the lily leaps, the asphodel
Which will not let its blossoms blow for fear
Of too much beauty, and the timid shame
Of the young bridegroom at his lover's eyes, - these with the same

One sacrament are consecrate, the earth
Not we alone hath passions hymeneal,
The yellow buttercups that shake for mirth
At daybreak know a pleasure not less real
Than we do, when in some fresh-blossoming wood,
We draw the spring into our hearts, and feel that life is good.

So when men bury us beneath the yew
Thy crimson-stained mouth a rose will be,
And thy soft eyes lush bluebells dimmed with dew,
And when the white narcissus wantonly
Kisses the wind its playmate some faint joy
Will thrill our dust, and we will be again fond maid and boy.

And thus without life's conscious torturing pain
In some sweet flower we will feel the sun,
And from the linnet's throat will sing again,
And as two gorgeous-mailed snakes will run
Over our graves, or as two tigers creep
Through the hot jungle where the yellow-eyed huge lions sleep

And give them battle! How my heart leaps up
To think of that grand living after death
In beast and bird and flower, when this cup,
Being filled too full of spirit, bursts for breath,
And with the pale leaves of some autumn day
The soul earth's earliest conqueror becomes earth's last great
prey.

O think of it! We shall inform ourselves
Into all sensuous life, the goat-foot Faun,
The Centaur, or the merry bright-eyed Elves
That leave their dancing rings to spite the dawn
Upon the meadows, shall not be more near
Than you and I to nature's mysteries, for we shall hear

The thrush's heart beat, and the daisies grow,
And the wan snowdrop sighing for the sun
On sunless days in winter, we shall know
By whom the silver gossamer is spun,
Who paints the diapered fritillaries,
On what wide wings from shivering pine to pine the eagle flies.

Ay! had we never loved at all, who knows
If yonder daffodil had lured the bee
Into its gilded womb, or any rose
Had hung with crimson lamps its little tree!
Methinks no leaf would ever bud in spring,
But for the lovers' lips that kiss, the poets' lips that sing.

Is the light vanished from our golden sun,
Or is this daedal-fashioned earth less fair,
That we are nature's heritors, and one
With every pulse of life that beats the air?
Rather new suns across the sky shall pass,
New splendour come unto the flower, new glory to the grass.

And we two lovers shall not sit afar,
Critics of nature, but the joyous sea
Shall be our raiment, and the bearded star
Shoot arrows at our pleasure! We shall be
Part of the mighty universal whole,
And through all aeons mix and mingle with the Kosmic Soul!

We shall be notes in that great Symphony
Whose cadence circles through the rhythmic spheres,
And all the live World's throbbing heart shall be
One with our heart; the stealthy creeping years
Have lost their terrors now, we shall not die,
The Universe itself shall be our Immortality.

-Oscar Wilde

The old dust

The living is a passing traveler;
The dead, a man come home.
One brief journey betwixt heaven and earth,
Then, alas! we are the same old dust of ten thousand ages.
The rabbit in the moon pounds the medicine in vain;
Fu-sang, the tree of immortality, has crumbled to kindling wood.
Man dies, his white bones are dumb without a word
When the green pines feel the coming of the spring.
Looking back, I sigh; looking before, I sigh again.
What is there to prize in the life's vaporous glory?

-Li Po

Alone

Lying, thinking
Last night
How to find my soul a home
Where water is not thirsty
And bread loaf is not stone
I came up with one thing
And I don't believe I'm wrong
That nobody,
But nobody
Can make it out here alone.

Alone, all alone
Nobody, but nobody
Can make it out here alone.

There are some millionaires
With money they can't use
Their wives run round like banshees
Their children sing the blues
They've got expensive doctors
To cure their hearts of stone.
But nobody
No, nobody
Can make it out here alone.

Alone, all alone
Nobody, but nobody
Can make it out here alone.

Now if you listen closely
I'll tell you what I know
Storm clouds are gathering
The wind is gonna blow
The race of man is suffering
And I can hear the moan,
'Cause nobody,
But nobody
Can make it out here alone.

Alone, all alone
Nobody, but nobody
Can make it out here alone.

-Maya Angelou

Old Age Gets Up

Stirs its ashes and embers, its burnt sticks

An eye powdered over, half melted and solid again
Ponders
Ideas that collapse
At the first touch of attention

The light at the window, so square and so same
So full-strong as ever, the window frame
A scaffold in space, for eyes to lean on

Supporting the body, shaped to its old work
Making small movements in gray air
Numbed from the blurred accident
Of having lived, the fatal, real injury
Under the amnesia

Something tries to save itself-searches
For defenses-but words evade
Like flies with their own notions

Old age slowly gets dressed
Heavily dosed with death's night
Sits on the bed's edge

Pulls its pieces together
Loosely tucks in its shirt

-Ted Hughes

The Dawn

I would be ignorant as the dawn
That has looked down
On that old queen measuring a town
With the pin of a brooch,
Or on the withered men that saw
From their pedantic Babylon
The careless planets in their courses,
The stars fade out where the moon comes.
And took their tablets and did sums;
I would be ignorant as the dawn
That merely stood, rocking the glittering coach
Above the cloudy shoulders of the horses;
I would be -- for no knowledge is worth a straw --
Ignorant and wanton as the dawn.

-William Butler Yeats

Immortality

In Sleeping Beauty's castle
the clock strikes one hundred years
and the girl in the tower returns to the world.
So do the servants in the kitchen,
who don't even rub their eyes.
The cook's right hand, lifted
an exact century ago,
completes its downward arc
to the kitchen boy's left ear;
the boy's tensed vocal cords
finally let go
the trapped, enduring whimper,
and the fly, arrested mid-plunge
above the strawberry pie
fulfills its abiding mission
and dives into the sweet, red glaze.

As a child I had a book
with a picture of that scene.
I was too young to notice
how fear persists, and how
the anger that causes fear persists,
that its trajectory can't be changed
or broken, only interrupted.
My attention was on the fly:
that this slight body
with its transparent wings
and life-span of one human day
still craved its particular share
of sweetness, a century later.

-Lisel Mueller

Lunaria

Här tätt vid den yppiga klyftan
flammar din ensamma prakt,
sig hög i skuggan reser
din spensliga ljusa växt.

Din gestalt, så lätt och så kraftig,
aldrig beundrar jag nog,
ett ädelt barn du är
av den blomsterrika dunkla jorden,
dess klara safter välla
i din höga friska kropp
så genomskinliga rena,
där spensligt fri och stolt
i skönhetsbräddad kraft
du över svarta grunden strålar
det levandes symbol.

Så skild från de andra du synes stå,
så främmande och tyst,
och din blick är egen och kall;
men djupet är tungt av längtan.
Ingen ditt lynne liknar.

Men soliga klyftan upptill
är full av den sorlande sommar,
där dallrar törnros, konvolvel glad
och kaprifol i flamma;
de spela i vinden, de vaja mot varann,
de le och sjunga,
och alla blommor äro glada mot varandra,
och alla blommor äro vackra mot varandra.
Ingen dig ser,
ingen märker dig av de andra.
Var har du din vän, du blomma kall?

Eller kanske när allt i slummer sänkts
och djupen blanka darra
och den tysta klyftan fylls
av svart och hemligt sus,
med stjärnorna du talar?

-Vilhelm Ekelund

Poet's obligation

To whoever is not listening to the sea
this Friday morning, to whoever is cooped up
in house or office, factory or woman
or street or mine or harsh prison cell;
to him I come, and, without speaking or looking,
I arrive and open the door of his prison,
and a vibration starts up, vague and insistent,
a great fragment of thunder sets in motion
the rumble of the planet and the foam,
the raucous rivers of the ocean flood,
the star vibrates swiftly in its corona,
and the sea is beating, dying and continuing.

So, drawn on by my destiny,
I ceaselessly must listen to and keep
the sea's lamenting in my awareness,
I must feel the crash of the hard water
and gather it up in a perpetual cup
so that, wherever those in prison may be,
wherever they suffer the autumn's castigation,
I may be there with an errant wave,
I may move, passing through windows,
and hearing me, eyes will glance upward
saying 'How can I reach the sea?'
And I shall broadcast, saying nothing,
the starry echoes of the wave,
a breaking up of foam and quicksand,
a rustling of salt withdrawing,
the grey cry of the sea-birds on the coast.


So, through me, freedom and the sea
will make their answer to the shuttered heart.

-Pablo Neruda

Come in

As I came to the edge of the woods,
Thrush music -- hark!
Now if it was dusk outside,
Inside it was dark.

Too dark in the woods for a bird
By sleight of wing
To better its perch for the night,
Though it still could sing.

The last of the light of the sun
That had died in the west
Still lived for one song more
In a thrush's breast.

Far in the pillared dark
Thrush music went --
Almost like a call to come in
To the dark and lament.

But no, I was out for stars;
I would not come in.
I meant not even if asked;
And I hadn't been.

-Robert Frost

Change

Changed? Yes, I will confess it – I have changed.
I do not love you in the old fond way.
I am your friend still – time has not estranged
One kindly feeling of that vanished day.

But the bright glamour which made life a dream,
The rapture of that time, its sweet content,
Like visions of a sleeper’s brain they seem –
And yet I cannot tell you how they went.

Why do you gaze with such accusing eyes
Upon me, dear? It is so very strange
That hearts, like all things underneath God’s skies,
Should sometimes feel the influence of change?

The birds, the flowers, the foliage of the trees,
The stars which seem so fixed, and so sublime,
Vast continents, and the eternal seas, -
All these do change, with ever-changing time.

The face our mirror shows us year on year
Is not the same; our dearest aim, or need,
Our lightest thought, or feeling hope, or fear,
All, all the law of alternation heed.

How can we ask the human heart to stay,
Content with fancies of Youth’s earliest hours?
The year outgrows the violets of May,
Although, maybe, there are no fairer flowers.

And life may hold no sweeter love than this,
Which lies so cold, so voiceless, and so dumb,
And will I miss it, dear? Why, yes, we miss
The violets always – till the roses come!

-Ella Wheeler Wilcox

Clown in the moon

My tears are like the quiet drift
Of petals from some magic rose;
And all my grief flows from the rift
Of unremembered skies and snows.

I think, that if I touched the earth,
It would crumble;
It is so sad and beautiful,
So tremulously like a dream.

-Dylan Thomas

Some Clouds

Now that I've unplugged the phone,
no one can reach me--
At least for this one afternoon
they will have to get by without my advice
or opinion.
Now nobody else is going to call
& ask in a tentative voice
if I haven't yet heard that she's dead,
that woman I once loved--
nothing but ashes scattered over a city
that barely itself any longer exists.
Yes, thank you, I've heard.
It had been too lovely a morning.
That in itself should have warned me.
The sun lit up the tangerines
& the blazing poinsettias
like so many candles.
For one afternoon they will have to forgive me.
I am busy watching things happen again
that happened a long time ago.
as I lean back in Josephine's lawnchair
under a sky of incredible blue,
broken--if that is the word for it--
by a few billowing clouds,
all white & unspeakably lovely,
drifting out of one nothingness into another.

-Steve Kowit

Associations

As o'er these hills I take my silent rounds,
Still on that vision which is flown I dwell,
On images I loved, alas, too well!
Now past, and but remembered like sweet sounds
Of yesterday! Yet in my breast I keep
Such recollections, painful though they seem,
And hours of joy retrace, till from my dream
I start, and find them not; then I could weep
To think how Fortune blights the fairest flowers;
To think how soon life's first endearments fail,
And we are still misled by Hope's smooth tale,
Who, like a flatterer, when the happiest hours
Pass, and when most we call on her to stay,
Will fly, as faithless and as fleet as they!

-William Lisle Bowles

At dawn

THE night-long clamour of winds grew still;
The forest rested, its foes withdrawn;
On sounding ocean and silent hill
There crept a sense of the coming dawn.
A bird awoke on a leaning limb
And fluttered its plumes a moment's space;
Dark purple lay on the sea's far rim:
The sky grew pale as a dying face.
Then all the trees and the rocks and heights
With wondering faces watched the East:
It seemed an altar hung with lights
And waiting for a vestured priest.
And in that intimate first hour
When land and sea rejoiced as one,
And Nature, like an opening flower,
Gave incense, came the burning sun.
Yet, while the hour of gold went by,
I saw through all its pageantry
The vast indifference of the sky,
The heartless beauty of the sea.
For wet and wan, and cold and sped
Beyond the breakers' reach of pearl,
There lay a strong man drowned and dead,
And in his arms a drowned white girl.

-Roderic Quinn

SPLEEN

I'M like some king in whose corrupted veins
Flows agèd blood; who rules a land of rains;
Who, young in years, is old in all distress;
Who flees good counsel to find weariness
Among his dogs and playthings, who is stirred
Neither by hunting-hound nor hunting-bird;
Whose weary face emotion moves no more
E'en when his people die before his door.
His favourite Jester's most fantastic wile
Upon that sick, cruel face can raise no smile;
The courtly dames, to whom all kings are good,
Can lighten this young skeleton's dull mood
No more with shameless toilets. In his gloom
Even his lilied bed becomes a tomb.
The sage who takes his gold essays in vain
To purge away the old corrupted strain,
His baths of blood, that in the days of old
The Romans used when their hot blood grew cold,
Will never warm this dead man's bloodless pains,
For green Lethean water fills his veins.

-Charles Baudelaire

Den hemliga liljan

Som duggat ned ur majmilt blå,
så ljust och spätt
det första lövet linden klätt;
runt om fontänens glitter
magnolieträden blomma,
men än är marken kall
och än ej vintern all,
och än stå kronor tomma.

Uti min själ, som i ett flor
av ljumma ljusa töcken, bor
en underblomma tyst och skär,
och dunkelt lyfter, blad vid blad,
en lönnlig längtans sakta vind
dess kalk ur källans skymning.

Där över välver blitt och rent
sig i min själ ett tonfullt rum; -
o ljusa röst, mitt skydd, min tröst
och hjälp i hjärtats vånda,
hur fylles all min själ av dig,
hur lyser all min själv av dig, -
sång utan ord, din melodi
all havets sorgsna skönhet tonar.

Du min aldrig hörda,
av ingen levande drömda
melodi, som jag bär
och som jag vill vårda!
Du som ljuder
i mina bästa stunder,
skall jag en gång
få giva dig fram
ren och hel?
Som en brännande snyftan
har du fyllt min själ,
stundom i drömmar,
stundom vaken,
alltför väldig,
alltför stark kanske för mitt hjärta
som sviktat under din flod; -
ack! som en överfylld skål,
högt buren på rädda händer,
bär dig min själ,
o du min käraste!
Du min hemliga lilja -
Du min ofödda melodi!

-Vilhelm Ekelund

Tell all the Truth but tell it slant --

Tell all the Truth but tell it slant --
Success in Circuit lies
Too bright for our infirm Delight
The Truth's superb surprise

As Lightning to the Children eased
With explanation kind
The Truth must dazzle gradually
Or every man be blind --

-Emily Dickinson

Debris

HE is wisest who has the most caution,
He only wins who goes far enough.

Any thing is as good as established, when that is established that
will produce it and continue it.

-Walt Whitman

MOUNTAIN LIFE

IN summer dusk the valley lies
With far-flung shadow veil;
A cloud-sea laps the precipice
Before the evening gale:
The welter of the cloud-waves grey
Cuts off from keenest sight
The glacier, looking out by day
O'er all the district, far away,
And crowned with golden light.

But o'er the smouldering cloud-wrack's flow,
Where gold and amber kiss,
Stands up the archipelago,
A home of shining peace.
The mountain eagle seems to sail
A ship far seen at even;
And over all a serried pale
Of peaks, like giants ranked in mail,
Fronts westward threatening heaven.

But look, a steading nestles, close
Beneath the ice-fields bound,
Where purple cliffs and glittering snows
The quiet home surround.
Here place and people seem to be
A world apart, alone; --
Cut off from men by spate and scree
It has a heaven more broad, more free,
A sunshine all its own.

Look: mute the saeter-maiden stays,
Half shadow, half aflame;
The deep, still vision of her gaze
Was never word to name.
She names it not herself, nor knows
What goal my be its will;
While cow-bells chime and alp-horn blows
It bears her where the sunset glows,
Or, maybe, further still.

Too brief, thy life on highland wolds
Where close the glaciers jut;
Too soon the snowstorm's cloak enfolds
Stone byre and pine-log hut.
Then wilt thou ply with hearth ablaze
The winter's well-worn tasks; --
But spin thy wool with cheerful face:
One sunset in the mountain pays
For all their winter asks.

-Henrik Ibsen

En ghasel

Jag står och ser på världen genom gallret;
jag kan, jag vill ej slita mig från gallret,
det är så skönt att se, hur livet sjuder
och kastar höga böljor upp mot gallret,
så smärtsamt glatt och lockande det ljuder,
när skratt och sånger komma genom gallret.

Det skiftar ljust av asp och al och björk,
där ovanför står branten furumörk,
den friska doften tränger genom gallret.
Och över viken vilket präktigt sken,
i varje droppe är en ädelsten,
se, hur det skimrar härligt genom gallret!

Det vimlar båtar där och ångare
med hornmusik och muntra sångare
och glada människor i tusental,
som draga ut till fest i berg och dal;
jag vill, jag vill, jag skall, jag måste ut
och dricka liv, om blott för en minut,
jag vill ej långsamt kvävas bakom gallret!

Förgäves skall jag böja, skall jag rista
det gamla obevekligt hårda gallret
– det vill ej tänja sig, det vill ej brista,
ty i mig själv är smitt och nitat gallret,
och först när själv jag krossas, krossas gallret.

-Gustaf Fröding

Vän! I förödelsens stund

Vän! I förödelsens stund, när ditt inre av mörker betäckes,
När i ett avgrundsdjup minne och aning förgå,
Tanken famlar försagd bland skugggestalter och irrbloss,
Hjärtat ej sucka kan, ögat ej gråta förmår;
När från din nattomtöcknade själ eldvingarne falla,
Och du till intet, med skräck, känner dig sjunka på nytt,
Säg, vem räddar dig då?- Vem är den vänliga ängel,
Som åt ditt inre ger ordning och skönhet igen,
Bygger på nytt din störtade värld, uppreser det fallna
Altaret, tändande där flamman med prästerlig hand? --
Endast det mäktiga väsen, som först ur den eviga natten
Kysste serafen till liv, solarna väckte till dans.
Endast det heliga Ord, som ropte åt världarna: "Bliven!"
Och i vars levande kraft världarna röras ännu.
Därföre gläds, o vän, och sjung i bedrövelsens mörker:
Natten är dagens mor, Kaos är granne med Gud.

-Erik Johan Stagnelius

Justice

That Justice is a blind goddess
Is a thing to which we black are wise:
Her bandage hides two festering sores
That once perhaps were eyes.

-Langston Hughes

Time

Unfathomable Sea! whose waves are years,
Ocean of Time, whose waters of deep woe
Are brackish with the salt of human tears!
Thou shoreless flood, which in thy ebb and flow
Claspest the limits of mortality,
And sick of prey, yet howling on for more,
Vomitest thy wrecks on its inhospitable shore;
Treacherous in calm, and terrible in storm,
Who shall put forth on thee,
Unfathomable Sea?

-Percy Bysshe Shelley

His Last Sonnet

Bright star, would I were steadfast as thou art! -
Not in lone splendour hung aloft the night,
And watching, with eternal lids apart,
Like Nature's patient sleepless Eremite,
The moving waters at their priestlike task
Of pure ablution round earth's human shores,
Or gazing on the new soft fallen mask
Of snow upon the mountains and the moors -
No -yet still steadfast, still unchangeable,
Pillowed upon my fair love's ripening breast,
To feel for ever its soft fall and swell,
Awake for ever in a sweet unrest,
Still, still to hear her tender-taken breath,
And so live ever -or else swoon to death.

-John Keats

Adieu to a Soldier

ADIEU, O soldier!
You of the rude campaigning, (which we shared,)
The rapid march, the life of the camp,
The hot contention of opposing fronts—the long manoeuver,
Red battles with their slaughter,—the stimulus—the strong, terrific game,
Spell of all brave and manly hearts—the trains of Time through you, and like of you,
all
fill’d,
With war, and war’s expression.

Adieu, dear comrade!
Your mission is fulfill’d—but I, more warlike,
Myself, and this contentious soul of mine,
Still on our own campaigning bound,
Through untried roads, with ambushes, opponents lined,
Through many a sharp defeat and many a crisis—often baffled,
Here marching, ever marching on, a war fight out—aye here,
To fiercer, weightier battles give expression.

-Walt Whitman

Poetics

I look for the way
things will turn
out spiralling from a center,
the shape
things will take to come forth in

so that the birch tree white
touched black at branches
will stand out
wind-glittering
totally its apparent self:

I look for the forms
things want to come as

from what black wells of possibility,
how a thing will
unfold:

not the shape on paper -- though
that, too -- but the
uninterfering means on paper:

not so much looking for the shape
as being available
to any shape that may be
summoning itself
through me
from the self not mine but ours.

-A. R. Ammons

Vågar du?

En kylig vind
leker
kring mina svullna
ögon.
Jag blundar
och känner
en svag
viskning blåsa värme
i mitt nakna frusna
tillstånd.

Jag lever och
hoppas
att väntans fulla
mognad
bryter mark i drömmarens
och på nytt slår fast
de evigas sökande
längtan.

…men vågar du steget?
Vågar du ta det kliv
som förenar ord
och handling?
Då möts vi
kanske
på halva vägen
till slut.

-Göran Hansson

THE REMORSE OF THE DEAD

O SHADOWY Beauty mine, when thou shalt sleep
In the deep heart of a black marble tomb;
When thou for mansion and for bower shalt keep
Only one rainy cave of hollow gloom;

And when the stone upon thy trembling breast,
And on thy straight sweet body's supple grace,
Crushes thy will and keeps thy heart at rest,
And holds those feet from their adventurous race;

Then the deep grave, who shares my reverie,
(For the deep grave is aye the poet's friend)
During long nights when sleep is far from thee,

Shall whisper: "Ah, thou didst not comprehend
The dead wept thus, thou woman frail and weak"--
And like remorse the worm shall gnaw thy cheek.

-Charles Baudelaire

Passing time

Your skin like dawn
Mine like musk

One paints the beginning
of a certain end.

The other, the end of a
sure beginning.

-Maya Angelou

i carry your heart with me

i carry your heart with me(i carry it in
my heart)i am never without it(anywhere
i go you go,my dear; and whatever is done
by only me is your doing,my darling)
i fear
no fate(for you are my fate,my sweet)i want
no world(for beautiful you are my world,my true)
and it's you are whatever a moon has always meant
and whatever a sun will always sing is you

here is the deepest secret nobody knows
(here is the root of the root and the bud of the bud
and the sky of the sky of a tree called life;which grows
higher than the soul can hope or mind can hide)
and this is the wonder that's keeping the stars apart

i carry your heart(i carry it in my heart)

- E. E. Cummings

To A Shade

If you have revisited the town, thin Shade,
Whether to look upon your monument
(I wonder if the builder has been paid)
Or happier-thoughted when the day is spent
To drink of that salt breath out of the sea
When grey gulls flit about instead of men,
And the gaunt houses put on majesty:
Let these content you and be gone again;
For they are at their old tricks yet.
A man
Of your own passionate serving kind who had brought
In his full hands what, had they only known,
Had given their children's children loftier thought,
Sweeter emotion, working in their veins
Like gentle blood, has been driven from the place,
And instilt heaped upon him for his pains,
And for his open-handedness, disgrace;
Your enemy, an old fotil mouth, had set
The pack upon him.
Go, unquiet wanderer,
And gather the Glasnevin coverlet
About your head till the dust stops your ear,
The time for you to taste of that Salt breath
And listen at the corners has not come;
You had enough of sorrow before death --
Away, away! You are safer in the tomb.

-William Butler Yeats

Några ord till min kära dotter, ifall jag hade någon

Min kära Betti, du blir stor:
Du från din docka hunnit växa...
Utaf din hulda, fromma mor
Tag, för din framtid, denna lexa!

Uti den verld, du knappast sett,
Så många öden förefalla;
Men med ett gladt och sedigt vett
Skall Betti segra på dem alla.

På lifvets bana varsamt gå,
Men tro ej allt hvad ondt man säger!
Vår verld, min Betti, är ändå
Den allra bästa verld, man eger.

Den är - hvad den beständigt var -
Bebodd af kloka och af dårar;
Och - noga öfverlagdt - den har
Mer rätt till löje än till tårar.

För mycken misstro föder agg,
För mycken lättro ångrens smärta:
Tänk ej i hvarje ros en tagg,
Ej dygd i hvarje manligt hjerta!

Väl dig, om jemt du följa vet
Försigtighet, den kloka gumman:
Den, jemte känslig glädtighet,
Är af all vishet hufvudsumman.

Med läsning öd ej tiden bort -
Vårt kön så föga det behöfver,
Och skall du läsa, gör det kort.
Att såsen ej må fräsa öfver!

Ett odladt vett, en upplyst själ -
Hvad - kunna böcker blott det skänka?
Mitt barn, studera verlden väl:
Den ger dig ämnen nog att tänka!

Hvar menska, Betti, är en bok -
Lär dig att fatta rätt dess värde,
Och mins, att oftast af en tok
Den vise någon visdom lärde!

Men om lektyren roar dig,
Väl - i förädling af ditt väsen
Låt den då blygsamt röja sig,
Men ej i tonen af beläsen!

En lärd i stubb - det är ett rön -
Satirens udd ej undanslipper,
Och vitterheten hos vårt kön
Bör höra blott till våra nipper.

Lyd, Betti, lyd bestämmelsen:
Sök ej att mannabragder hinna
Och känn din värdighet, min vän,
I äran af att vara qvinna!

Se denna mor i huslig krets,
Som vet sitt sanna kall bevaka,
Fullt med den ärelust tillfreds,
Att vara värdig mor och maka!

Se, ordning, mildhet, treflighet
Med blomster hennes fotspår hölja,
Och heder, kärlek, tacksamhet
Dess lefnad och dess minne följa.

Behaget är med fliten slägt:
I nyttig snällhet sätt din heder!
Låt ärbarheten i din drägt
Bli sinnebild af dina seder!

Följ, Betti, smakens enkla bud:
Låt aldrig flärden dig förtrolla!
All prydnad drifven intill skrud
Är blott affischen af en fjolla.

I sällskap sladdrets tomhet fly,
Men sitt ej sluten som en gåta!
För tanklösheten plär man sky,
För mycken klokhet ej förlåta.

Välj uttryck utan brydsamt val,
Se till att du ej domslut fäller!
Och tala, Betti - håll ej tal:
Du tror ej hur det oss förställer!

Gif skämtets udd sitt fina skick
I ord, som glädtigt oförmoda!
Dock mins: man skrattar med en qvick,
Men man bär aktning för den goda.

En lätting, slö till själ och kropp,
Fann en gång lifvet bli en börda:
Då fann en annan lätting opp
Att tiden genom kortspel mörda.

Välj nödigt detta tidsfördrif,
Som, fast af sed och ton ej menligt,
Är - tro mig - med ett verksamt lif
Och själ och känsla oförenligt!

Märk, hur en skönhets blick är hvass
I nit att korten riktgt kasta!
Märk, vid det lumpna ordet »pass»
Hur gracerna på flykten hasta!

Försigtigt äfven undanvik
All brydsam forskning i gazetten!
Vårt hushåll är vår republik,
Vår politik är toaletten.

Blif vid din bågsöm, dina band,
Stick af ditt mönster emot rutan
Och tro, mitt barn, att folk och land
Med Guds hjelp styras oss förutan!

När sig en qvinna nitisk ter
Att staters styrselsätt ransaka,
Gud vet, så tycks mig att jag ser
En skäggbrodd skugga hennes haka.

Nej, slika värf ej stå oss an:
Låt aldrig dem din håg förvilla!
Du skall bli gift - då vill din man
Med tacksamhet min lärdom gilla.

Att giftas ... ej ett ämne fins
Mer rikt att i maximer drifva
Men, goda Betti, hör och mins
Det enda råd, jag har att gifva:

Den make, som dig blir beskärd,
(Märk denna stora hemligheten!)
Var huld, om han är huldhet värd,
Om ej - så var det i förtreten!

Tag händelser och öden lätt,
Mitt barn, så blifva de ej tunga!
Och - mellan oss - är det ett sätt
Att än i åldern synas unga.

Min Betti, lifvet flyr så fort -
Hvad grym, hvad oersättlig skada,
Om, vid det lilla gagn, vi gjort,
Vi nekat oss att vara glada!

Må stojet och förströelsen
Vid andras dom för glädje gälla,
I stilla nöjen sök du den -
Det är för oss vi äro sälla.

Gör nöjet bofast i ditt hus,
Eg i ditt hjerta samvetsfriden!
Den gör vår uppsyn mild och ljus,
Den rår på sorgerna och tiden.

Ja, Betti, lifvets sällhet njut,
Men lifvets pligter ej försaka...
Nu har min lilla lexa slut,
Och till min söm jag går tillbaka.

Anna Maria Lenngren

Love Lies Sleeping

Earliest morning, switching all the tracks
that cross the sky from cinder star to star,
coupling the ends of streets
to trains of light.

now draw us into daylight in our beds;
and clear away what presses on the brain:
put out the neon shapes
that float and swell and glare

down the gray avenue between the eyes
in pinks and yellows, letters and twitching signs.
Hang-over moons, wane, wane!
From the window I see

an immense city, carefully revealed,
made delicate by over-workmanship,
detail upon detail,
cornice upon facade,

reaching up so languidly up into
a weak white sky, it seems to waver there.
(Where it has slowly grown
in skies of water-glass

from fused beads of iron and copper crystals,
the little chemical "garden" in a jar
trembles and stands again,
pale blue, blue-green, and brick.)

The sparrows hurriedly begin their play.
Then, in the West, "Boom!" and a cloud of smoke.
"Boom!" and the exploding ball
of blossom blooms again.

(And all the employees who work in a plants
where such a sound says "Danger," or once said "Death,"
turn in their sleep and feel
the short hairs bristling

on backs of necks.) The cloud of smoke moves off.
A shirt is taken of a threadlike clothes-line.
Along the street below
the water-wagon comes

throwing its hissing, snowy fan across
peelings and newspapers. The water dries
light-dry, dark-wet, the pattern
of the cool watermelon.

I hear the day-springs of the morning strike
from stony walls and halls and iron beds,
scattered or grouped cascades,
alarms for the expected:

queer cupids of all persons getting up,
whose evening meal they will prepare all day,
you will dine well
on his heart, on his, and his,

so send them about your business affectionately,
dragging in the streets their unique loves.
Scourge them with roses only,
be light as helium,

for always to one, or several, morning comes
whose head has fallen over the edge of his bed,
whose face is turned
so that the image of

the city grows down into his open eyes
inverted and distorted. No. I mean
distorted and revealed,
if he sees it at all.

-Elizabeth Bishop

Awake at night

Awake at night--
the sound of the water jar
cracking in the cold.

-Matsuo Basho

Sonnet 60

Like as the waves make towards the pebbled shore,
So do our minutes hasten to their end;
Each changing place with that which goes before,
In sequent toil all forwards do contend.
Nativity, once in the main of light,
Crawls to maturity, wherewith being crown'd,
Crooked elipses 'gainst his glory fight,
And Time that gave doth now his gift confound.
Time doth transfix the flourish set on youth
And delves the parallels in beauty's brow,
Feeds on the rarities of nature's truth,
And nothing stands but for his scythe to mow:
And yet to times in hope my verse shall stand,
Praising thy worth, despite his cruel hand.

-William Shakespeare

Love's Deity

I long to talk with some old lover's ghost,
Who died before the God of Love was born:
I cannot think that he, who then loved most,
Sunk so low as to love one which did scorn.
But since this god produced a destiny,
And that vice-nature, Custom, lets it be,
I must love her that loves not me.

Sure, they which made him god meant not so much,
Nor he in his young godhead practised it;
But when an even flame two hearts did touch,
His office was indulgently to fit
Actives to passives. Correspondency
Only his subject was; it cannot be
Love, till I love her that loves me.

But every modern god will now extend
His vast prerogative as far as Jove.
To rage, to lust, to write to, to commend,
All is the purlieu of the God of Love.
Oh were we wakened by this tyranny
To ungod this child again, it could not be
I should love her who loves not me.

Rebel and atheist too, why murmur I
As though I felt the worst that love could do?
Love might make me leave loving, or might try
A deeper plague, to make her love me too,
Which, since she loves before, I'm loth to see;
Falsehood is worse than hate; and that must be,
If she whom I love should love me.

-John Donne

Fragment 168b

The sinking moon has left the sky,
The Pleiades have also gone.
Midnight comes--and goes, the hours fly
And solitary still, I lie.

-Sappho

(Translated by Edwin Marion Cox)

Winter Nightfall

The day begins to droop,--
Its course is done:
But nothing tells the place
Of the setting sun.
The hazy darkness deepens,
And up the lane
You may hear, but cannot see,
The homing wain.
An engine pants and hums
In the farm hard by:
Its lowering smoke is lost
In the lowering sky.
The soaking branches drip,
And all night through
The dropping will not cease
In the avenue.
A tall man there in the house
Must keep his chair:
He knows he will never again
Breathe the spring air:
His heart is worn with work;
He is giddy and sick
If he rise to go as far
As the nearest rick:
He thinks of his morn of life,
His hale, strong years;
And braves as he may the night
Of darkness and tears.

-Robert Seymour Bridges

When Stretch'd on One's Bed

When stretch'd on one's bed
With a fierce-throbbing head,
Which preculdes alike thought or repose,
How little one cares
For the grandest affairs
That may busy the world as it goes!

How little one feels
For the waltzes and reels
Of our Dance-loving friends at a Ball!
How slight one's concern
To conjecture or learn
What their flounces or hearts may befall.

How little one minds
If a company dines
On the best that the Season affords!
How short is one's muse
O'er the Sauces and Stews,
Or the Guests, be they Beggars or Lords.

How little the Bells,
Ring they Peels, toll they Knells,
Can attract our attention or Ears!
The Bride may be married,
The Corse may be carried
And touch nor our hopes nor our fears.

Our own bodily pains
Ev'ry faculty chains;
We can feel on no subject besides.
Tis in health and in ease
We the power must seize
For our friends and our souls to provide.

-Jane Austen

It Is Not Growing Like A Tree

It is not growing like a tree
In bulk doth make Man better be;
Or standing long an oak, three hundred year,
To fall a log at last, dry, bald, and sere:
A lily of a day
Is fairer far in May,
Although it fall and die that night—
It was the plant and flower of light.
In small proportions we just beauties see;
And in short measures life may perfect be.

-Ben Jonson

How Many Bards Gild The Lapses Of Time!

How many bards gild the lapses of time!
A few of them have ever been the food
Of my delighted fancy,—I could brood
Over their beauties, earthly, or sublime:
And often, when I sit me down to rhyme,
These will in throngs before my mind intrude:
But no confusion, no disturbance rude
Do they occasion; 'tis a pleasing chime.
So the unnumbered sounds that evening store;
The songs of birds—the whispering of the leaves—
The voice of waters—the great bell that heaves
With solemn sound,—and thousand others more,
That distance of recognizance bereaves,
Makes pleasing music, and not wild uproar.

-John Keats

Ships that Pass in the Night

Out in the sky the great dark clouds are massing;
I look far out into the pregnant night,
Where I can hear the solemn booming gun
And catch the gleaming of a random light,
That tells me that the ship I seek
is passing, passing.
My tearful eyes my soul's deep hurt are glassing;
For I would hail and check that ship of ships.
I stretch my hands imploring, cry aloud,
My voice falls dead a foot from mine own lips,
And but its ghost doth reach that vessel, passing, passing.
O Earth, O Sky, O Ocean, both surpassing,
O heart of mine, O soul that dreads the dark!
Is there no hope for me? Is there no way
That I may sight and check that speeding bark
Which out of sight and sound is passing, passing?

-Paul Laurence Dunbar

The Voice

Where is the distant voice
That speaks like my soul?

Buried beneath daylight's clamor
Gold and the seasons

Beneath groaning streets
And the ferment of cities

In my grave of care
And blond laughter

In what bare tomb must I lie
To summon the voice
That speaks like my soul?

-Andree Chedid

Machines

Dearest, note how these two are alike:
This harpsicord pavane by Purcell
And the racer's twelve-speed bike.

The machinery of grace is always simple.
This chrome trapezoid, one wheel connected
To another of concentric gears,
Which Ptolemy dreamt of and Schwinn perfected,
Is gone. The cyclist, not the cycle, steers.
And in the playing, Purcell's chords are played away.

So this talk, or touch if I were there,
Should work its effortless gadgetry of love,
Like Dante's heaven, and melt into the air.

If it doesn't, of course, I've fallen. So much is chance,
So much agility, desire, and feverish care,
As bicyclists and harpsicordists prove

Who only by moving can balance,
Only by balancing move.

-Michael Donaghy

The Student's Serenade

I have slept upon my couch,
But my spirit did not rest,
For the labours of the day
Yet my weary soul opprest;
And, before my dreaming eyes
Still the learned volumes lay,
And I could not close their leaves,
And I could not turn away.

But I oped my eyes at last,
And I heard a muffled sound;
'Twas the night-breeze, come to say
That the snow was on the ground.

Then I knew that there was rest
On the mountain's bosom free;
So I left my fevered couch,
And I flew to waken thee!

I have flown to waken thee --
For, if thou wilt not arise,
Then my soul can drink no peace
From these holy moonlight skies.

And, this waste of virgin snow
To my sight will not be fair,
Unless thou wilt smiling come,
Love, to wander with me there.

Then, awake! Maria, wake!
For, if thou couldst only know
How the quiet moonlight sleeps
On this wilderness of snow,

And the groves of ancient trees,
In their snowy garb arrayed,
Till they stretch into the gloom
Of the distant valley's shade;

I know thou wouldst rejoice
To inhale this bracing air;
Thou wouldst break thy sweetest sleep
To behold a scene so fair.

O'er these wintry wilds, alone,
Thou wouldst joy to wander free;
And it will not please thee less,
Though that bliss be shared with me.

-Anne Bronte

Ice and fire

My love is like to ice, and I to fire:
How comes it then that this her cold so great
Is not dissolved through my so hot desire,
But harder grows the more I her entreat?
Or how comes it that my exceeding heat
Is not allayed by her heart-frozen cold,
But that I burn much more in boiling sweat,
And feel my flames augmented manifold?
What more miraculous thing may be told,
That fire, which all things melts, should harden ice,
And ice, which is congeal'd with senseless cold,
Should kindle fire by wonderful device?
Such is the power of love in gentle mind,
That it can alter all the course of kind.

-Edmund Spencer

Sestina

I have come, alas, to the great circle of shadow,
to the short day and to the whitening hills,
when the colour is all lost from the grass,
though my desire will not lose its green,
so rooted is it in this hardest stone,
that speaks and feels as though it were a woman.

And likewise this heaven-born woman
stays frozen, like the snow in shadow,
and is unmoved, or moved like a stone,
by the sweet season that warms all the hills,
and makes them alter from pure white to green,
so as to clothe them with the flowers and grass.

When her head wears a crown of grass
she draws the mind from any other woman,
because she blends her gold hair with the green
so well that Amor lingers in their shadow,
he who fastens me in these low hills,
more certainly than lime fastens stone.

Her beauty has more virtue than rare stone.
The wound she gives cannot be healed with grass,
since I have travelled, through the plains and hills,
to find my release from such a woman,
yet from her light had never a shadow
thrown on me, by hill, wall, or leaves’ green.

I have seen her walk all dressed in green,
so formed she would have sparked love in a stone,
that love I bear for her very shadow,
so that I wished her, in those fields of grass,
as much in love as ever yet was woman,
closed around by all the highest hills.

The rivers will flow upwards to the hills
before this wood, that is so soft and green,
takes fire, as might ever lovely woman,
for me, who would choose to sleep on stone,
all my life, and go eating grass,
only to gaze at where her clothes cast shadow.

Whenever the hills cast blackest shadow,
with her sweet green, the lovely woman
hides it, as a man hides stone in grass.

-Dante Alighieri